Čoček – the music

Čoček, the dance, is what is done to Čoček, the music. Both originated in Turkish culture, and were perpetuated and popularized in the Balkans by the Roma. See https://folkdancefootnotes.org/dance/a-real-folk-dance-what-is-it/about/kocek-the-original-cocek-turkish-male-bellydance/ Nowadays, Čoček music is everywhere, and there are many different dances, both solo and choral, that are danced to it. It is played at various tempos, by various acoustic and electronic instruments and with time signatures including 4/4, 7/8 & 9/8. So what makes Čoček music different from other Balkan music? Mainly, it’s the syncopated beat. Below is a typical pan-Yugoslav Kolo, followed by a similar social situation where the music is Čoček.

NOT Čoček. 2/4 time. Listen to the steady beat – strong downbeat, weaker upbeat, but the same length for each.
Čoček. 4/4 time. Syncopated beat. Strong downbeat.
Slow, and, quick, quick, slow; Slow, and quick, quick, slow ; etc
Here’s the same rhythm spedeed up. The video is from Vranje, Serbia, made in the 1970’s. Bakija Bakic is on trumpet
A Čoček in 9/8. Notice the syncopated bass drum. Same musicians, including Kurta Ajredinovic on clarinet, Jasko Jasarevic on violin. Different footwork, though.
Here’s a modern Čoček in 9/8. Solo dancing – the most common kind of Čoček dancing.
Čoček music has many stars – none bigger than Ferus Mustafov. Here he embarks on another feature of Čoček music – extended eastern-tinged solos.
There’s many hot bands. Don’t know the name of this one, but it’s had over 2 million views!
In Bulgaria the music is called KYUCHEK or КЮЧЕК in cyrillic.
The big hit in Albania is Hajde luj qyqek 12 million views!

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