Hasapiko (L*), Vari or Argo – Greece, revised

*a Living dance is a 1st Generation dance that is still performed in the country of origin (or immigrant communities) as part of a social event like a wedding where others can participate (not for an audience) by people who learned the dance informally (from friends and relatives by observation and imitation, not in a classroom situation). For more information, click here and here.

VARI HASAPIKO or ARGO HASAPIKO or HASAPIKO (Hah-SAH-pee-koh)  See also under Living Dances Hasapiko https://folkdancefootnotes.org/dance/a-real-folk-dance-what-is-it/about/hasapiko/ and Hasaposerviko https://folkdancefootnotes.org/dance/a-real-folk-dance-what-is-it/about/hasaposerviko-greece/, and under 2nd Generation Dances Syrtaki https://folkdancefootnotes.org/dance/a-real-folk-dance-what-is-it/2nd-generation-dances/syrtaki-greece/.  They’re 3 different but related dances, – some Greeks call the same dance by different names.  The main difference is speed, and what I call Vari Hasapiko is the slowest.   If I had to do one folk dance for the rest of my life, this would probably be it!  It is still very much alive in Greece, though mostly as a performance dance, has a huge repertoire of great accompanying music, an interesting basic step that doesn’t get boring easily, has room for individual expression, millions of variations, and a legendary background story.   Vari Hasapiko is the dance of dispossessed Greeks who were shipped out of Turkey in the 1920’s, flooding Greece with largely unwanted refugees.  They congregated in urban slums, creating their own subculture, playing musical instruments unfamiliar to Greeks – the Bouzouki & Baglama.  Their songs were cynical, talked of sex and drugs.  Their dances were for men only – solo, in pairs or trios, but largely improvised on the spot.  Bouzouki music was disreputable to proper Greeks until, like Rock & Roll, it was discovered by disaffected youth and outsiders (tourists).   Considered by many to be the best Greek movie ever made, “Rembetiko” tells the story of this era, loosely based on the life of one of its most popular female singers, but beware it is not a happy tale!  Nobody sings the blues quite like the Greeks, and  this movie captures the spirit of Vari Hasapiko like no other.   By the late 1950’s, Bouzouki music had become mainstream, and the dancing could be celebrated in movies like “Never on Sunday“.  

Some examples –  

Some contemporary pros. The basic step is a foundation that’s returned to occasionally – otherwise its all improvisation.
Another contemporary, this one by some regular guys.  Notice how the guy on our right watches the guy on the left for clues for what’s coming next.  The tune is Fragosyriani, one of the iconic hasapiko tunes, composed by Markos Vamvakaris in 1935.
(see Hasapiko music, under MUSIC https://folkdancefootnotes.org/music/about-music-types-songs-etc/hasapiko-music/ ).  

Some instruction –

First step should be on the left to the front.  Some people do a basic step of 12 beats, most do 14 beats (how I now teach), and some do 16 beats (add 2 beats to the end).

14-beat Hasapiko basic step

  Here’s a video taken from an old TV show – lots of moves! https://www.youtube.com/watch?v=K5bIxDPidrE   Here you get a clear look at lots of variations. Notice this guy’s basic step has 14 counts. https://www.youtube.com/watch?v=v8kdTRxeAD4

Has V1

  Some music:  “Hasapiko Politiko” by Giannis Papaioannou, 1953, perhaps the most famous melody today. https://www.youtube.com/watch?v=yH4NCKCi9Oo For more music, see Hasapiko music under MUSIC

Has v2
Has v3

Blog at WordPress.com.

Up ↑

%d bloggers like this: